AOS BK 166 Loudspeaker Kit Without Casing Incl. Korrekturweiche 1 Piece
AOS BK 166 Loudspeaker Kit Without Casing Incl. The description of this item has been automatically translated.
Trust our many years of experience. In loudspeaker construction and electronics trading. Known from hobby hiifi and sound+sound. 35 years of speaker self -made.
30 years of authorized specialist dealer. AOS BK 166 without housing. Loudspeaker kit Backloaded Horn without housing incl.
Construction plan for the housing. Wood cutting must be built and painted by yourself. The product image serves as an orientation as to what the finished speaker may look like. This model is still available as a housing kit (with wood cutting), as a kit with a finished housing or as a finished speaker, check out our other offers.
Fostex Fe 168 e Sigma. 50 Hz - 24 kHz. 292 x 900 x 450 mm.
A set for a loudspeaker. Here I wanted the 16 cm. Breisbands of the Sigma series. Once optimally and modularly expandable from 1 to 3 ways.
At the same time, Fostex accidentally released a different 16 -man than limited special model, the. As it quickly turned out, this exclusive model also worked excellently in.
Basshorn and even without correction elements. Plays perfectly with a special blocking circuit and without discoloration over the entire area to the heights. Particularly good basic and mid-range through the uniquely computer-optimized and stiffened membrane. In the second step you can do the excellent ring radiator. Add and then expand the original broadband project into a 2-way system. This gives the high -frequency area crucial for airiness and silkness and the spatial illustration becomes even more stable if the tweeter radiates together with the broadband chassis in phase. This can be optimally moved by moving the. On the footprint above the broadband chassis. In the third and most complex expansion step (Hobbyhifi 6/2012) I donated a wooden radial horn to the Backloaded Horn. As a midrange for the area between 700 and 5000 Hz. Finally, this supplement leads to a dramatic improvement and inevitable extremely wide horizontal radiation of the middle pitches. Voices gain tremendously in naturalness, openness and directness. A wide stage opens up. Such a 3-way horn system is not easy to coordinate. Timmermanns from the hobby hifi complained about some small mistakes regarding. These were then immediately corrected in a further fine -tuning. At the same time, the low -frequency area - along with a reduction in the compartment of the box - was extended. The bass area is now strong and very dry even with a wall remote line -up!The amplifiers of all kinds (not only tube amplifiers) can now cope well with the loudspeaker. Provides full unlimited hornd dynamics to far beyond the entire listening area of?? 40 - 30000 Hz and the feeling of a world -class horn loudspeaker with somewhat reduced sound pressure, is therefore not designed for "very hood listeners" and feels most comfortable in smaller to medium hearing rooms. The slightly higher overall price is more than justified for this work of art! Experience report of a customer with the limited broad band Fe 163 EN-S + FT 96 H in BK 166.
Shortly after the publication of the Bass Horn BK 166 from the HH Article 4/12 I drove to Saarbrücken in mid -2012 to hear the horns live. Since I have only heard mediocre bass horns in self-construction, I was excited above Allen on the Fostex BB Fe163en-S. Damde's shop, a crowded listening room awaited me, but differently differed from the lightning blanket hi-fi shops in my hometown. In preparation for my pre -registration, Mr. Damde has "warm up" the bass horns from a distance spread pleasant classical music in the listening room. Before I started listening, I asked which electronics were connected. Damde is absolutely down -to -earth and beyond all star chairs: "Expensive amplifiers are not absolutely necessary Even with small you get very good sound and I want to show you the boxes with simple amplifiers". One thinks to listen to how much eyewash is made in commercial hi-fi competent and especially with loudspeaker boxes. First the boxes played solo dh without super tweeter.Damde plug in the Fostex super high handle ft96h using a freely wired softness. The difference is mainly in the spatial performance and was immediately audible and therefore I decided on this version. Without hesitation and with a smile face, the shop with the limited BB. This happened was a year ago... And today they are in my living room.
Instead of the BK166 housing, the BB were installed in a housing according to Fostex specification with an additional tweeter attachment, ie I did not put the HH on the top but into an approx. 9 cm high extra chamber installed. This made the horn 105 cm high. In addition, I have the BB 5 mm deep into the front. The tweeter is 19 mm.
Damde developed a soft circuit for the super wedding. I connected the boxes with 8-core telephone cables, 11.5 meters long per box (so that the community has something to blaspheme). A hearing paths modified as an amplifier and the power amplifier from Aaron. I have rarely heard such a sound.It is the directness that the bass horn immediately captivates. Drums and impact instruments come with force and precision although the horn only goes down to 50 Hz.
You can feel the battered membrane. That has great and captivates you. The music loosens perfectly from the boxes and hovers in the room. If you close your eyes, you think you can use a headphone. The sound is distributed almost everywhere in the room.My son said that sounds like Surround. But the toughest critic that needs to be overestimated is the woman.
When she saw the size of the new one, she was slightly shocked. But she made the first tones listen (for the first time after 3 pairs of boxes in my past). When I performed her, she was about 5 meters in the L -shaped living room. Sober, she just said "but they sound really good".
Beyond the Hi-Fi triangle, the boxes also fill out my 55 sqm living space. Music seems to be present everywhere. The musical stage is easily shown in front of the boxes. The space is part of what I have ever heard. Music is also spreading beyond the outside limitation of the boxes.
A brave shooting of the volume controller to the neighborhood of incompatible volume is also possible, but interestingly, quiet or medium -sized hearing is also very pleasant. Sometimes I prefer the quieter setting - simply because it sounds more relaxed. A property that I only heard in very expensive speakers. Today there was an indirect confirmation.I listened to the Piega Coax 30 at the Hi-Fi dealer. The basshorn plays so much more directly.
The sound wave seems to be at the listener immediately (very nice Friedemann's Bao Lan from the Aquamarin). Torn guitar sides have the typical grip noises that I haven't heard at other boxes (Friend and Fellow: Clock). In comparison, the Piega's sounded almost spongy in the bass and flat.The boxes dissolve very nicely, without question, but they have a tendency of hardness in the heights and in women's voices. If you compare the electronics at Art of Sound of straight a tenth of the price you can brood. You dive into the music and this is the fascination of this box type.
It doesn't matter whether the horn goes up to 40 or 30 Hz. The quality of how key instruments are reproduced is so striking and realistic that the music comes to the fore and not the loudspeaker. 1 x Fostex Fe 168 e Sigma. 1 x high -end components correction network. 1 m speaker cable 2 x 2.5 qmm.
0.5 matt bondum 800. Product name: BK 166 without housing. For International Members: We will send our stuff worldwide.